I haven’t really felt like writing much of late. I also haven’t felt like talking or socialising as much. It has been a month of enjoying the cliched ‘my own company’. And no, I don’t mean solo dates. I mean, there is so much going on even when I’m only talking to myself.
Anyway, I haven’t exactly been antisocial. There has been work. And in addition, I’ve been going to a lot of poetry events. That doesn’t feel as much like socialising, especially if it’s newer venues and events. I’ve been seeking the last actively for awhile and I found two. They’re great for now because they are fresh enough to be open to all forms of poetry and attract completely fresh slate minds. So yes, there’s cliches, there’s teenage angst and canned feminism and stale cynicism. But it comes from unfamiliar faces, in newer stories. And best of all, the career poets haven’t showed up as yet. These are the people who are approach poetry, performance and events the same way mid-level managers approach corporate events armed with visiting cards and antacids.
I realise how bitchy that sounds considering a fair lot of them are known to me. I hesitate to call most of them friends because I learnt more than a year later that they’re no different from the b-school alumni meet crowd. There used to be a certain quality to the poetry with performers like this but now it’s all so formulaic and worst of all, drowned in the politics of who’s getting showcased, who’s performing on which show, who got paid and how much. And with all that comes the condescension, the backbiting, the sniping (in whispers and in poetry). Writers are truly appalling people. Well, people are appalling people.
Anyway, I discovered entirely by mistake two new platforms. The first was Art Refurbish’s poetry slam + Open Mic at Khar Social. The crowd was entirely unfamiliar. I made it in late after having wrapped up a three hour webinar and a trek through the heat. The freshness of the performances and the audience was invigorating. I was one of the last performers and I did ‘Paper Plane‘ but I felt like I was experiencing it for the first time. Truly, this is a wonderful medium that allows your old stories to be reborn with every telling.
The Hive feels like homebase now but the crowd was almost all new and there was a new host too. For all intents and purposes, that makes it a new event. I brought out ‘Paper Dolls‘ from my TARQ event earlier this year.
Tuning Fork turned up two events within the space of a week. The first time, I was wearing a saree just because I was in a mood to. And I went in with ‘Feminist Poetry‘ well, because I thought it would be funny to do that particular piece when the audience probably expected more ‘respectable, traditional poetry from the woman in the saree’. An old poet-friend had referenced angry feminists in his heartbreak poetry earlier. I called him out mid-performance and the audience laughed, him along with them all. 🙂
The next week, I was determined to not continue with the feminism theme. I had attended the Caferati Open Mic at Prithvi earlier in the evening after all. Karthik showed up as a surprise and we performed ‘Lullaby‘ there.
But at Tuning Fork later in the night, one young man started his piece addressing the (exaggerated airquotes) FEMININAZIS in the audience. Several people turned around and looked right at me and when it was my turn, they hooted. So I changed my plan and went in with ‘SuperWoman‘.
And then, when I finished, I got off the stage, changed my mind and returned to request another performance. I concluded with ‘Paper Plane‘, my third rendition in two weeks (I also addressed Manisha’s Creative Writing class and concluded my talk with a rendition, not recorded).
Later that night, the young man came up to me and said “Well played.” I grinned back at him. This is so cool. Banter and conversations in poetry. Me for the world, only in poetry. I’ll enjoy it while I can.
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