I was grumbling the other day to Samir (who must think I’m an awful crank since I’m always subjecting him to my grumpiness). The issue was that I couldn’t bring myself to write. Not that I didn’t have things to write about, but that I was all out of words so to speak. He scratched his chin (or so I imagine since this was on chat) and said,
It’s natural to feel that way. Creativity must find an alternate expression at times.
Yes, the boy is wise, isn’t he? :-)
After reviving my karmic enthusiasm for colour and fabric, I realized that my materials, the paints were woefully past retirement age. So today, I restocked with a new set of paints and five new brushes. A new paintbrush is like a new laptop in a lot of ways. You need to find your way around it and it feels stiff and strange, initially. But it also feels brand new and anything new gets the creative instinct flowing in my veins with the blood.
I pondered on what to start with, for awhile. When you’ve been away from the palatte for awhile, that tends to happen, the brain-freeze, the finger-paralysis. From experience I know I just need to get started and then even if I discard the initial efforts, I’ll be off to a good start.
I set aside the blank tees bought especially to paint on, the kurta that’s been waiting for years now for colour and the much-loved FabIndia cropped tops. Flipping through FeviArt (Fevicryl’s magazine) for inspiration, I found a photo-feature of a fashion show where NIFD had tied up with Fevicryl Hobby Ideas. The models were wearing dresses, tunics and jackets on some sort of shiny material, all splashed with crazy, wild sheeny colours. My eyes have always paused at this page, each time I’ve flipped through the magazine and I knew today was the day my fingers got to follow suit.
I dug out an old Van Heusen shirt I had bought on sale and regretted ever since. The shirt is a creamy silk and crumples with each breath. It’s also large-sized and doesn’t flow the way I had envisioned. Instead, because of the fabric, it clings to the skin and because of its size, looks too large rather than drapy on me. In addition, it’s too short to be tucked in at the waist, thus losing its potential for a Mexican shirt-in-tight-jeans look. But the shiny and clingy fabric was just what was needed for what I had in mind, after seeing the magazine photos.
I didn’t plan anything in particular. The colours I picked out this morning are all from the Fevicryl Pearl range and are from two broad colour groups. Yellow-Green-Turquoise and Blue-Lavender-Pink . I started with the back and just let the brushes play along running the colours into each other. The brushes I used were all flat, square tips and made for some interesting brushstroke textures.
In addition because the fabric was crumpled and stiff at those wrinkles, the colour caught and skipped in places. I decided not to worry about a pattern too much and just play with textures and shades. The front has more of the same though in a different brand of abstract.
Now, the front looks like a paisley print to me while the back has a retro vibe. So I guess, the artwork is consistent in terms of period and styling. I’ll probably wear this with dark fitted jeans. The dried paint should make the fabric a little more stiff. The back has more connected colour strokes so this should make the picture ‘stand’ while the front has seperate patches and due to the contours of the body will probably flow in a wave-like fashion.
Garment:Full sleeved formal shirt
Material:Silk (the shiny kind that crumples easily)
Background Colour: Cream
Paint colours used:
- Fevicryl Pearl Lemon Yellow No.302
- Fevicryl Pearl Green No.304
- Fevicryl Pearl Turquoise No.320
- Fevicryl Pearl Blue No.305
- Fevicryl Pearl Ice Blue No.321
- Fevicryl Pearl Sky Blue No.319
- Fevicryl Pearl Garnet No.318
- Fevicryl Pearl Pink No.303
- Fevicryl Grey No.07
And here is something I painted the same day as Good Karma, Bad Medicine. Unfortunately the top has gone missing after that day and I don’t feel inclined to writing about it. :-( In any case, the design is a traditional kolam design that I got off the Internet and I only used basic white. The back reads ‘Kolam: The Art of Welcome’ since that’s what the south-Indian rangoli is supposed to be.
I think I’ll do another Kolam sketch and write about it in my next Ideart post.
*Cross-posted to Divadom.